Sunday, December 5, 2021

Exciting News: Unbound Visual Arts' Arthaus Gallery Opening!

You are invited! See UVA's Arthaus Gallery Opening details below! 

Unbound Visual Arts (UVA) cordially invites you to the Grand Opening Ceremony of the Arthaus Gallery on Sunday, December 12th at 1:00 – 4:00 pm EST at 43 North Beacon Street in Allston near New Balance Headquarters and Boston Landing.

This new gallery will enable UVA Members to celebrate and showcase original works of art from a diverse array of artists throughout the greater Boston community. Since 2018 when UVA first started meeting with The Mount Vernon Company, the opening of the Arthaus Exhibit Gallery has been a long sought-after initiative to provide a formal space for Boston “creatives” throughout metro Boston and to further enrich Allston’s historic and cultural arts district. One of UVA’s primary goals is to make unique visual artwork available to the public and curate one-of-a-kind exhibits. The Arthaus gallery is included in a new 81 unit rental and homeowner development and is Allston-Brighton’s first community-based art gallery.

To commemorate this special occasion, UVA is holding a ribbon-cutting ceremony. In addition, we will have live jazz music by the Josiah Reibstein Duo, refreshments, the UVA Holiday Sale with plenty of arts and crafts, and a community art project for everyone. We hope you will be able to join us for this momentous event.

To RSVP, please go to by Wednesday, December 8th, 2021. We look forward to celebrating this special occasion with you!

Yours truly,

Grand Opening Celebration Committee:
Jeanne Lin, Chair
Susan Loomis-Wing
Ruth Rieffanaugh
Karen Smigliani
John Quatrale

RSVP for Dec. 12th

UVA's Mission Statement
Unbound Visual Arts (UVA) is a unique Allston-Brighton based non-profit art organization. We serve the Greater Boston community with impactful educational programs and exhibits to encourage learning, engagement, and change. 

Source: UVA

Tuesday, November 16, 2021

UVA Exhibit "Invisible Disabilities" live on November 18!

Another exciting exhibit from UVA!

UVA News

Invisible Disabilities explores the personal experiences of individuals living with disabilities that are not easily seen. Curated by University of Westminster graduate Samantha Joyce and designed by Kyung Eun Lee, this exhibit showcases a series of paintings, videos, and mixed media created by visual artists. Addressing the theme of representation, curator Samantha Joyce explains that “art in general is usually a good representation of the artist, their surroundings, and their community, but what happens when you have a disability that is not easily seen by the naked eye?” With this exhibit, she aims to “shed light on invisible disabilities and encourage their representation in a greater number of galleries and museums to help build a wider audience.”

Artists: Romani Berlekov, Linda Clave, Sam Fein, Steph Koufman, Pauline Lim, Lydia Lodynsky, Maia Monteagudo, Amaranthia Sepia, Jennifer Turpin

Virtual program with the curator and artists, with music and raffle

Thursday November 18, 2021, 6:30 pm EST - Invisible Disabilities. 

Source: UVA

Wednesday, November 10, 2021

UVA Exhibit "Teaching Children About Racial Justice" live on November 13!

UVA News

UVA has recently opened two impactful exhibits: "Teaching Children About Racial Justice" curated by Kyung Eun Lee, and "Invisible Disabilities" curated by Samantha Joyce. Over 25 artists represented in the virtual galleries. Just click these buttons and start touring! There are virtual programs too. 

Teaching Children About Racial Justice >>

Teaching Children About Racial Justice, curated by Rhode Island School of Design graduate Kyung Eun Lee, examines the unique ways we can gain a more profound understanding of racial equity and foster meaningful conversation with children and families. The exhibit features artists whose work includes paintings, photographs, mixed media, and sculptures that reflect on education and justice in today’s youth generation. Curator Kyung Eun Lee observes that “open dialogue and validation of children’s experiences is a vital step in encouraging honest, positive change in both ourselves and our communities.” Her curatorial vision focused on “harnessing the power of creativity to generate a varied discourse and inspire meaningful reflection among public audiences.”

short video tour of the exhibit.  View or download the press release and Exhibit Catalogue here.

Artists: Sonia Ben Achoura, Paul Ayihawu, Sarah Buckius, Ugonma Chibuzo, Véronique Anne Epiter, Anum Farooq, Yee Jae Kim, Lewanda Lim, Elisandra Lopes, Mathew Okazaki, Merlo Philiossaint, Christina Qi, Peter Slingluff, Carve Stone, Jennifer Turpin, Mary Vannucci, Ngoc-Tran Vu

Virtual program with the curator and artists, with music and raffle
Saturday November 13, 2021, 5:00 pm EST - Teaching Children About Racial Justice. 
Source: UVA

Sunday, May 23, 2021

WGS Newsletter 2021 Now Published!

We are excited to announce the publication of the 2020-2021 WGS Newsletter! 

See WGS Newsletter here:

Please note the sections celebrating the WGS co-sponsored Unbound Visual Arts exhibition and Artists Panel discussion, Stronger Sisterhood: Representing Intersectional Identity and a related program, Stories of Resilience: Our Stories Matter (page 7) and the annual UNESCO/UNITWIN Network feature update (page 14). The Gender and International Development Initiatives (GaIDI) of Brandeis University was a promotional supporter. 


Friday, May 7, 2021

Unbound Visual Arts Presents: Self-Preservation: A Complex Human Instinct

Join us for a late afternoon of fun to celebrate our virtual exhibition, Self-Preservation: A Complex Human Instinct. Enjoy a live musical performance from Mae Siu Wai Stroshane, an exhibition tour, a Q&A with the artists, and a raffle for exciting prizes!

The 11 artists represented are Nancer Ballard, Donna Caselden, Linda Clave, Catherine Lawrie, Sally Lee, Elisandra Lopes, Kat Masella, Maia Monteagudo, Michaela Morse, Jennifer Jean Okumura, and Diane Sheridan.

Self-Preservation: A Complex Human Instinct is curated by Cecilia Christman and designed by Kyung Eun Lee. Cecilia has a degree in art history from Boston College and assisted in an exhibit at the Smithsonian American Art Museum. Kyung has a master's degree from the Rhode Island School of Design. The exhibit explores forms of self-preservation in the context of the COVID-19 pandemic. Self-Preservation: A Complex Human Instinct is available in the Unbound Visual Arts Virtual Exhibition Gallery for 24 hours a day through June 30, 2021. The exhibit features 22 works of art, which include paintings, photographs, mixed media, and sculptures that reflect on themes of healing and division during the pandemic.

Enjoy the virtual gallery at

View the one-minute video tour available on YouTube at

Curator Cecilia Christman observes that “as a result of the pandemic and the country’s reckoning with racial injustice, the practices of individualism and self-preservation have burgeoned into many new forms.” As curator, she aimed to illuminate different forms of self-preservation, inviting artists and audiences to “explore the ways in which self-preservation can hurt, heal, divide, and unify.”

Gender and International Development Initiatives (GaIDI) and the BU/WGS-based UNESCO/UNITWIN Network on Gender, Culture and People-Centered Development are promotional supporters. 

Visit the Self-Preservation Exhibit Gallery

Friday, April 2, 2021

Invisible No More: Asian American Responses to Atlanta

In solidarity with Asian American Pacific Islander communities, please see the following video of "Invisible No More: Asian American Responses to Atlanta," moderated by  Dr. Takeo Rivera, BU Assistant Professor of English and of Women's, Gender, & Sexuality Studies that houses the UNESCO/UNITWIN Network. Description posted by Boston University on YouTube below:

"On Friday, March 26, a group of Boston University professors gathered virtually for a panel discussion in response to the Atlanta spa shootings that took place just over a week prior in the metropolitan area of Atlanta, Georgia. The event, which claimed the lives of eight people, has been widely characterized as part of a nationwide pattern of anti-Asian hate crimes and targeting. According to #StopAAPIHate​, a coalition that tracks incidents of violence and harassment against Asian Americans and Pacific Islanders in the U.S., hate crimes against Asians and Asian Americans have surged by nearly 150% from 2019 to 2020. The panelists spoke on a range of academic and personal topics and will continue to hold space for larger community conversations on how to move forward as an Asian American community at BU. Panelists: Dr. Yoonsook Ha - Boston University School of Social Work 

Dr. Hyeouk Chris Hahm - Boston University School of Social Work 

Dr. Choi Hee An - Boston University School of Theology 

Dr. Kính T. Vũ - Boston University College of Fine Arts

Moderated by: Dr. Takeo Rivera - Boston University College of Arts & Sciences This event was co-sponsored by BU's Anna Howard Shaw Center, School of Theology, School of Social Work, College of Fine Arts, Faculty & Staff Assistance Office, Diversity and Inclusion Office, African American Studies Program, Department of English, Women’s, Gender, and Sexuality Studies Program."

Link to video of the Panel Discussions here:

Monday, March 22, 2021

UNESCO/UNITWIN Network Stands in Solidarity with Asian American Pacific Islander Communities

We at the BU-based UNESCO/UNITWIN Network on Gender, Culture & People-Centered Development stand in solidarity with AAPI communities. Please see Unbound Visual Arts' Statement of Solidarity below:

UVA Stands in Solidarity with the Asian American Community

Unbound Visual Arts (UVA)  is appalled and devastated by the events that transpired in Georgia last week and by the increasing acts of violence against members of the Asian-American community in light of the COVID-19 pandemic. UVA stands against racism and xenophobia and does not condone racially motivated acts of hatred, prejudice, and discrimination towards people of Asian descent or individuals of any race or ethnicity.  Our hearts go out to the victims of the recent shootings, their friends and family and to those who have experienced anti-Asian harassment and abuse, which we do not tolerate.  

How You Can Support:

If you are interested in supporting the victims of the Atlanta shootings and AAPI justice, please consider donating to these causes here:

To learn more about how you can combat anti-asian racism and #StopAsianHate in your community, here are a list of resources:

To organize against racism and build support for Asian Americans in your community, join the Commonwealth of MA Asian American Commission's Town Hall on Anti-Asian Racism, Thursday, March 25th at 6:00 pm ET:

Sunday, February 28, 2021

Celebrating Another Great Cultural Heritage Story: St Gabriel's!

It's not every day that we have a great cultural heritage restoration story! Please see below a message from Linda Mishkin, President of the Brighton-Allston Historical Society and documentary film "Writer," and Diane Kline, Member of the Board of Directors and film Executive Producer. Enjoy!

Greetings friends and neighbors:

When plans to develop the historic St. Gabriel’s site in Brighton were nearing approval, some of the project's mitigation funding was earmarked for the creation of a video documenting the restoration of the spectacular Monastery and Church buildings on the property. The restoration is now complete. Our documentary tells its story.

Along with the renovation of these buildings, our video shows how development and restoration can co-exist beautifully. To achieve this successful balance, it was essential that the voices of individual community residents were heard and the desire to preserve our heritage was honored.

We hope that you enjoy watching this amazing transformation and that it will rekindle fond memories for long-time members of the St. Gabriel’s community.

Thank you,
Linda Mishkin and Diane Kline
Brighton-Allston Historical Society


Tuesday, February 2, 2021

In Celebration of Margaret ‘Peg’ Snyder by Marilyn Carr, Mina Mauerstein-Bail, & Brenda Gael McSweeney


Flyer credit: UN Women

Register in advance for this webinar at:
After registering, you will receive a confirmation email containing information about joining the webinar.



Ellen Johnson Sirleaf is Former President of Liberia and the inspiration for The Sirleaf Market Women’s Fund International, a UNESCO/UNITWIN Network Affiliate.



by Nancy Hafkin

She was my mentor; she made my career with the UN. And she was the most selfless person I have ever known. Until her passing she never wavered from this commitment to improving the lives of women in Africa. 

See Nancy's In Memoriam to Peg Snyder here:

Peg and Nancy
Photo courtesy Comfort Lamptey,
collection Marilyn Carr


by Marilyn Carr

I first met Peg just over 45 years ago when she recruited me sight unseen to join the multi-institutional team she was putting together at the UN Economic Commission for Africa in Addis Ababa. Known as the African Training and Research Centre for Women (ATRCW), this was the first centre to respond to the demands from women at the 1975 Mexico Women’s Conference to have focal points within the UN dealing directly with their many and diverse needs. Having been instrumental in bringing many African women’s voices to Mexico, it was only fitting that Peg should be chosen to head up the African Centre, and I was honoured to be invited to join the team. Although I was only 28 at the time and Peg could have chosen someone with much more experience, characteristically, she wanted to give the younger generation a chance and, thus, I became one of the many people who had their entire life changed by and owed their UN career to this extraordinary woman.

Peg's 75th Birthday Party -- staff from ATRCW, UNIFEM, UN/UNDP -- Laketch Dirasse, Nancy Hafkin, Joann Vanek, Mekdes Gebre Medhin, Teckie Gebre-Medhin, Mary Tadesse, Kristin Timothy, Ruby Sandhu-Rojon. Peg seated second from left. Myself seated right.
Photo courtesy Marilyn Carr

Following a detour through Khartoum to join Peg on a three week mission to advise the newly formed Women’s Ministry in the Sudan, complete with a flight onwards to Addis where we met with Mother Theresa, I arrived for my three year assignment at ATRCW in November 1975. I was there to advise governments on appropriate technologies for women to save time on domestic chores such as fuel and water collection and increase their productivity in agricultural work and small businesses. This was an Africa-wide assignment and a daunting task at a time when FAO was still giving training to men while women did most of the farming and UNICEF looked upon women simply as mothers rather than bread winners in their own right. Backed up by statistics collected through ECA which showed how much women were contributing to family incomes and to national economies, Peg wanted to create a new environment in which credit, training and technology would go straight to women in their roles as farmers, merchants and entrepreneurs. A theme which was to be repeated 3 years later when she went on to set up UNIFEM.

 A field trip to SEWA groups in Gujarat.
Photo courtesy Marilyn Carr

No one could have had a better boss. Peg’s first instruction was to write a plan for what I would do for the next 3 years if no one got in my way. This I did, and she more or less then let me get on with it. Having no travel money, she persuaded UNICEF’s regional office in Nairobi to provide this and, with the support of her many friends in UN agencies, governments and NGOs throughout Africa, we were able to make a real difference. One of my favourite projects was the introduction of corn mills into Burkina Faso (then Upper Volta) to save women endless hours in grinding crops. This not only gave me the privilege of working with Brenda McSweeney – then Assistant Resident Representative of UNDP in Ouagadougou, but also the chance to marvel at how Peg bullied ECA (which was not an executing agency) into procuring grinding mills rather than paper clips. This was a pioneering pilot project and, while there were really very few grinding mills in Africa in 1975…they now can be seen in almost every village.

Myself and Peg on Mitchell Place roof garden to celebrate Wanjira Mathai's marriage. 
Photo courtesy Marilyn Carr

Same party with Peg, bride and groom.
Photo courtesy Marilyn Carr

The three years based in Addis were magical. Peg not only guided my career and taught me how to learn from African women themselves, she introduced me to her entire network of friends ---- many of whom, including Thelma Awori, Achola Pala, and Terry Kantai --- I still count as my own close friends today. Peg managed to secure the bungalow next to her own for me to live in while in Addis and so we were neighbours as well as colleagues and I have very fond memories of the many parties she hosted next door when Women’s Conferences were being held, and the many evening suppers we shared during curfew when they were not. I was sad when Peg left Addis to move to New York to set up UNIFEM. But, I returned to London 10 months later to rejoin the international NGO that had seconded me to ATRCW and was to continue my working relationship with Peg through many consultancies to help build UNIFEM along side Peg’s first deputy – Banke Akerele and fellow consultant Jacqueline Ki-Zerbo. During those 9 years, I always stayed with Peg at her lovely apartment in Mitchell Place and came – as so many of her friends have done also – to regard it as my home away from home.

Myself (R), Peg (L) and Banke Akerele (C)-- Peg's first deputy at UNIFEM who went on to become UNDP Res Rep in Zambia and Foreign Minister in Liberia.
Photo courtesy Marilyn Carr

Once UNIFEM was firmly established, I decided it was time to re-enter the world of women and so gave up my post as Chief Economist in an organization where I was the only professional woman among nearly a hundred men, and accepted yet another life-changing opportunity offered by Peg --- to set up UNIFEM’s first Regional Office in Harare covering the SADC (Southern African Development Community) countries. Again, Peg offered maximum support and minimum interference and I was able to grow in the trust that she held in me.

Peg, myself and Ginny Sauerwein (L) -- former UN Coordinator for UN Affairs and her Airdales.
Photo courtesy Marilyn Carr

Just before Peg retired from UNIFEM, I was ready to hand over the well established Harare Office to an African woman, and Peg arranged for me to transfer to New York to head up a newly created Technical Section in support of the three Regional Sections. Although Peg had left the office before I arrived in New York in 1990, she helped me to secure my own apartment in her building – and so, for the second time around, we became neighbours. For the following 30 years until her death we became really close friends and shared a busy social life with the many visitors who came through New York and stayed over at Mitchell Place or came for lunch or supper. Every year Peg hosted a Christmas Eve supper – one year with Wangari Maathai and her entire family, and on New Year’s Eve we would go to the evening performance of Alvin Ailey at City Center before returning for cheese and wine with neighbours in her apartment and then going to the roof garden to watch the fireworks. Another favourite social occasion was visiting Ginny Sauerwein (former UN Coordinator for NGO Affairs) at her lovely home outside of NY City to take her Airdale Terriers for long Sunday walks and playing with the litters of puppies which arrived on a frequent basis. I was happy to be able to organize parties for Peg’s 75th, 80th, 85th and 90th birthdays and she, in return, organized parties for my 50th, 60th, 65th and 70th birthdays. All of them magical! At Peg’s 75th birthday, we asked for donations to help set up a Book Prize in her honour --- the Aidoo-Snyder Book Prize administered by the African Studies Association that gives an annual prize to an African woman author – alternating between fiction and non-fiction.

2 Above: Peg’s 90th birthday party. 
Photos courtesy Marilyn Carr

In addition to her busy social life after leaving UNIFEM, Peg also became really immersed in gardening – as Chair of the gardening committee at Mitchell Place – and was instrumental in turning our roof garden into one of the loveliest in Manhattan. Many parties were hosted up there including one to celebrate the marriage of Wanjira Mathai. A special box with a very special flowering plant will be dedicated with a plaque to Peg to help us to remember her. She also continued to support the women’s movement. She was on the Board of Green Belt Movement USA, continued working with Women’s World Banking and helped to set up the Johnson Sirleaf Market Women’s Fund and served as a Board Member. She wrote numerous articles and book reviews, traveled to deliver many lectures and continued to visit organizations such as SEWA (Self-Employed Women's Association) in India to which she had given support during her time at UNIFEM. And of course, she also wrote her books on ATRCW and UNIFEM, as well as her two books on Ugandan women entrepreneurs. Peg’s extensive collection of documents is archived at Princeton University. Her role as a ‘first in the UN’ was celebrated in 2016 with an exhibition at UNHQ ‘HERstory: A Celebration of leading women in the United Nations’ which was launched by Ban Ki-Moon and Antonio Guterres. 

This photo was taken and sent to Peg by the Green Belt Movement in honour of her 90th Birthday. 
Note the poster photo of Wangari and then Wanjira standing between the H and the
Photo courtesy Marilyn Carr

Despite her busy life, Peg was always ready to respond to requests for help and advice and always put others before herself. She was one of the most caring and selfless people I have ever known.

Peg at the collection of documents archived at a Mudd Library, Princeton University. 
Photo courtesy Marilyn Carr

I will miss my mentor, friend and neighbour. This is a hole in my life I will never be able to fill, but I am glad that I have had the honour to spend so much of my life in the company of such an extraordinary person and had my life so enriched as a result. We will all miss you Peg – but you will never be forgotten.

by Mina Mauerstein-Bail 

I first met Peg when she was heading up the UN Development Fund for Women (UNIFEM) in the late 1970s. I was the focal point for Women in Development (WID) at the UNDP Regional Bureau for Africa. With a very small staff and a big agenda, it was amazing to watch Peg in action. Her extraordinary ability to bring people together and get things done effectively in a bureaucracy enabled a highly dedicated group of women around the world to undertake groundbreaking work for the benefit for women and girls everywhere.

At Peg's Apartment
Photos courtesy Mina Mauerstein-Bail

Our paths crossed once again when I retired and we worked together on the Board of Sirleaf Market Women’s Fund to support market women in Liberia. Peg, now in her 80s, showed no sign of slowing down. We traveled together to Liberia to meet with market women and better understand their realities and hopes for themselves and their families. I so very much enjoyed working with Peg again. Her warmth, her kindness, her wit and her intellect made work fun! 

Peg was a colleague and a friend. When I think of Peg, I smile. There are some people who bring out the best in other people. Peg was one of those people. May she Rest in Peace and May Her Memory Be A Blessing. I miss you, Peg.

The Legendary Margaret 'Peg' Snyder 
by Brenda Gael McSweeney
Peg Snyder and I initially met in Mexico City at the first UN Conference for Women in 1975. Peg was then based in Addis Ababa, Ethiopia as Co-Founder of the African Training and Research Centre for Women and Head of the Voluntary Agencies Bureau of UNECA, while I was posted across the continent with the UN Development Programme in Ouagadougou, Upper Volta, West Africa — home to the Government/UNESCO/UNDP pilot Project for Equal Access of Women and Girls to Education. I had been charged to look into closing down this Project, with its faltering literacy component — a proposal that neglected women’s roles as farmers and food processors —an issue that Peg brought great visibility to through speeches and publications in All-Africa terms, backed by UNECA data. Our West Africa Project’s grinding mills — that could vastly lighten female workloads — were appreciated by all the villagers, male and female alike; we in fact attracted major funding from USAID, the World Bank, and later the Gates Foundation. Here Peg with her UNECA colleague Marilyn Carr, an Expert in Village Technology and Rural Industry, rejoined our story. They supported scaling-up this appropriate technology component — including sending Virginia Sauerwein of the NGO world to help spread the word.

L to R: Marilyn Carr, Peg Snyder, Pamela Mboya, Brenda Gael McSweeney: 
ATRCW/ECA, Addis (Circa 1975)
Photo: Collection of Marilyn Carr

With passionate interest and experience with the women in development portfolio at the village level, we were among ‘go-to‘ folk participating in Africa and global gatherings for ECA and UNDP respectively — one such, in Nouakchott in 1977 where Peg was representing ATRCW that she co-founded with Ethiopia's Mary Tadesse. ECA‘s top official was not pleased when I announced that UNDP was no longer willing to subsidize their general operations, yet happy to continue to support the catalytic ATRCW (run by the dynamic duo of Peg and Mary with their dedicated team)!

From 1977 to 1979 I turned to ECA/ATRCW leading-edge publications in conducting my research into lessons to be learned from the Women’s Education Project in tandem with its dynamic Coordinator, women's education pioneer Scholastique Kompaoré. For my doctoral thesis I used Peg’s/ATRCW’s time–budget livelihoods model, that compared male and female workloads. I suggested expanding the model to include additional variables important in West Africa — Peg later adopted these into their model!

Peg at the Bandelier National Monument, Santa Fe
Photo courtesy Brenda Gael McSweeney

Two decades later, when Peg was back in New York City writing books and co-founding the Sirleaf Market Women’s Fund, and I was back in Boston in academia with Boston and Brandeis Universities, Peg and I met up again at UNDP gatherings of senior officials. In October 2016 Peg was enthusiastically telling of her positive field assessment of a UNIFEM-supported livelihoods initiative that was thriving decades later in Cuba. I asked her to consider writing it up (see below!) for the blog of our BU-based UNESCO/UNITWIN Network on Gender, Culture, and People-centered Development. Then she also graciously provided an insider's story titled "How African Women Led the World: the Story of the Women's Center of the United Nations Economic Commission for Africa (UNECA)" for Volume II of which I was Editor of Gender Perspectives in Case Studies Across Continents. Later Peg, hearing of a new series I wished to launch on Women and UN Origins, volunteered to prepare a (hard-hitting!) article on the vagaries of establishing women and development entities in the UN — including UNIFEM of which she was Founding Director. And Peg agreed to share a personal reflection piece for a forthcoming e-book that Scholastique Kompaoré — the tireless women’s education advocate in Upper Volta/Burkina Faso — and her colleagues proposed, to help make ever more visible the lessons learned from the Project for Equal Access of Women and Girls to Education — now popular across Africa, notably the drudgery-lightning technologies portfolio.   

Power Trio (L. to R.) Peg Snyder, Renu Chahil-Graf, Soknan Han Jung 
(October 2016)
Photo courtesy Brenda Gael McSweeney

Camaraderie with Peg was a constant thread: in policy debates, joint struggles to advance women’s rights and empowerment — and group laughter. Peg: your legacy lives on!

I’m now discovering that I know just one corner of Peg’s amazing mosaic promoting women’s rights and advancement globally. I’m excited at the prospect of hearing and joining to shout-out all four corners of Dr. Margaret 'Peg' Snyder's phenomenal legacy!

With admiration and affection, Brenda

More tributes to — & articles by — Dr. Margaret 'Peg' Snyder, illustrating her stellar legacy: that lives on!

Peg Snyder with the now Chair of the UNDP Senior Alumni Network, 
Soknan Han Jung at La Fonda on the Plaza 
Photo courtesy Brenda Gael McSweeney

~ 28 July 2020:
Launching our new 'Women & UN Origins' series — first entry by Dr. Margaret 'Peg' Snyder, titled "THEY CAN MOVE US BUT THEY CAN’T STOP US: Surviving the Early Years of 'Women and Development' in the United Nations." Link:

~ 15 November 2016:
Dr. Margaret 'Peg' Snyder (our Affiliate-Member) celebrated by distinguished journalist Barbara Crossette! Link:

~ 18 December 2015:
Margaret 'Peg' Snyder delivers African Studies Association Annual Lecture: "Four Decisive Decades: The Birth and Growth of a Global Women's Movement." Link:

~ E-published for 2014-15 (see page 158):
"How African Women Led the World: The Story of the Women's Centre of the United Nations Economic Commission for Africa (UNECA)" by Margaret Snyder. Link:

~ 22 February 2013: 
Peg's co-authored feature on Quitrin: A Cuban Success Story, 1985-2013. Link:

Sunday, January 17, 2021

Unbound Visual Arts Exhibit & Program: Stronger Sisterhood!

Check out the recorded panel discussions from UVA's "Stronger Sisterhood" Exhibit and related talks below:

Description posted by Unbound Visual Arts on YouTube:
"The Feb. 25, 2021 program for UVA's 'Stronger Sisterhood: Representing Intersectional Identity' exhibit running from Jan. 29 - March 31, 2021. This program included Curator Paige Moreau, artists Linda Clave, Maia Monteagudo, and Nilou Moochhala and UVA's Brenda Gael McSweeney."
Link to Panel Discussion:

Description posted by Unbound Visual Arts on YouTube:
"'Voices of Resilience -- Our Stories Matter' (March 4th 6:00 - 7:00 pm). Unbound Visual Arts is presenting its annual Women's History Month program. This year's free program complements UVA's current exhibit: 'Stronger Sisterhood: Representing Intersectional Identity.' 'Voices of Resilience -- Our Stories Matter' is being presented by Janine Fondon, Bay Path U. Assist. Prof. with Dr. Demetria Shabazz & Dr. Lucie K. Lewis. The program includes Paige Moreau, UVA's curator for 'Stronger Sisterhood' and Dr. Brenda Gael McSweeney, a founding member of UVA, who introduced the panel and welcomed the audience. The presentation is about the intersecting lives of women in Massachusetts and beyond who have changed the course of history."
Link to Panel Discussion:


"Stronger Sisterhood" now has 10 artists and is opening this month. Watch this space!

Stronger Sisterhood: Representing Intersectional Identity is now live at:
Date: Online Exhibit: January 29 - March 31, 2021; Artists Panel: February 25, 2021 at 6pm
Location: Online Event (Register for Artists Panel Here:

From Unbound Visual Arts' website:

Stronger Sisterhood: Representing Intersectional Identity
Curated by Paige Moreau
Opening January 2021

Artists: Linda Clave, Joanne Desmond, April Jakubec Duggal, Sara Gately, Brooke Jones, Maia Monteagudo, Nilou Moochhala, Diane Sheridan, Mary Vannucci, Andrea Zampitella

Nilou Moochhala, Singular Multiplexity, digital print, 24 x 18 inches, $200

Diane Sheridan, Three in the Subway, color digital photography, 11 x 14 inches, $200

Exhibit and publicity support from the Women's, Gender, & Sexuality Studies Program (WGS) at Boston University, and the Gender & International Development Initiatives of the Brandeis Women's Studies Research Center (GaIDI/WSRC)

Preliminary Curatorial Statement:

"As long as women are using class or race power to dominate other women, feminist sisterhood cannot be fully realized" ~ bell hooks

"Stronger Sisterhood: Representing Intersectional Identity," is a virtual exhibition in a virtual gallery that explores the multidimensional and intersectional identities of women.

The history of feminism has often been described in “waves”. The first wave is defined by the fight for women’s suffrage from the late 19th to early 20th century. The second wave, in the mid 20th century, focused on gender equality in the workplace, the home, and in civil liberties. Both of these movements, while making great strides for women, failed to address deeper compounded layers of oppression and marginalization faced by many women. First and second wave feminism were largely white middle class women’s movements and were often exclusionary of women of color, the LGBTQ+ community, working class women, women with disabilities and so on. The movements kept a narrow scope by focusing on a one dimensional vision of what it means to be a woman assuming common experiences and levels of marginalization based on gender identity. In reality, oppressions experienced by way of gender do not exist in a vacuum but instead intersect with multiple facets of identity. In 1989, lawyer, civil rights activist, and critical race theorist, Kimberlé Crenshaw coined the term “intersectionality” to describe how gender, race, class, and other individual characteristics intersect and augment oppressions. At present, the recognition of intersectionality’s importance in women’s rights has grown into a third wave of feminism that strives to recognize all the forms of oppression that female identifying people face.

Art created by a diverse range of female identifying artists is a key into visualizing and representing intersectional experiences. “Stronger Sisterhood: Representing Intersectional Identity” showcases that women’s experiences are not one but many, and only through diversity in representation can we begin to grasp a three dimensional view of all women. How do our experiences as women differ due to other facets of our identity? How are we made stronger by recognizing and honoring these differences? How has the recognition of intersectional feminism grown and where is there more work to be done?

Sunday, January 3, 2021

Ronni Komarow's latest Galatea exhibit: "Paths Well Traveled"

 From Ronni's Exhibit Handout:

Photo by Eric West

"All my life I have walked for solace, for socializing, for nurturing my soul. I have always believed that spaces, both indoors and out, are powerful, spiritual protagonists in our lives.

Growing up, I frequently strolled on South Broadway in Yonkers, NY with my best friend, Sonia. We met classmates all along the way. As an undergraduate in Philadelphia I walked through Center City and later as a graduate student I hiked over silent deep-woods trails in rural Vermont.

Here in Boston I walk along the banks of my beloved Chandler Pond. I take runs along the Charles River, and walk there with my husband and with close friends. Both Chandler Pond and the Charles River are constants in my life, and yet both are constantly changing, continual sources of wonder.

During the pandemic the outdoor spaces in my personal world have taken on epic proportions, nurtur- ing and healing, as I walk through them almost every day. The regular sharing of these spaces is key to my sense of connection to others in a world of social distancing.

This exhibition, 'Paths Well Traveled,' is my tribute to those spaces.

Many of the works here involve monotype, a technique where ink is painted on a non-porous surface and then transferred to paper. To evoke the feeling of traveling over a path, I used scroll-format printing, working with images that are perhaps eight or ten inches high — and as many as ten feet long. Even with drawing, this is an unwieldy format — and an exciting creative challenge."

On Gerry's Balcony, Trouville
Photo courtesy Ronni

to Run, to Become
Photo by Brenda Gael McSweeney

Our Next Addition to 'Women & UN Origins' Series, Dr. Marilyn Carr's "Women, the League of Nations and the UN: A Story in 3 Parts!"

A message from UNESCO/UNITWIN Network Director, Dr. Brenda Gael McSweeney:

Hello Friends,

Hope you’ve been having a pleasant Winter Solstice season -- despite these trying times!

We're excited to announce the next addition to our new "Women & UN Origins" series of the BU-based UNESCO/UNITWIN Network on Gender, Culture, and People-Centered Development! Joining us once again in shaping and publishing the series is the Buenos Aires-headquartered Global Network of UNESCO Chairs on Gender led by Gloria Bonder.

Our latest in the series is an article by Marilyn Carr entitled "WOMEN, THE LEAGUE OF NATIONS AND THE UNITED NATIONS: A STORY IN THREE PARTS" -- see link below. Dr. Carr established UNIFEM’s Regional Office for the Southern African Development Community (SADC) based in Harare, and carried out many other trailblazing UN functions!

This feature provides Marilyn's point of view on "how the work of earlier generations of women formed the basis of future work on gender equality in the UN." It is indeed hard to imagine women having successfully gained the roles and influence that they did over time in the United Nations System, without being able to build on the foothold established during the League of Nations era.

We're grateful to Marilyn for her clear presentation of insights into women's priorities, and the intensity of their struggles, during this foundational chapter.

As Gloria has noted, "we want particularly to encourage young researchers and activists to know and value what has been done and achieved." Both our UNESCO/UNITWIN Network and the Global Network of UNESCO Chairs on Gender wish to highlight the importance of sharing accounts on the creation of key international institutions and pathbreaking initiatives, for today’s social justice activists, academics, students, and policymakers.

Happy reading! Article here:

Wishing you a bright 2021!
Be super well--Brenda

Brenda Gael McSweeney on behalf of the UNESCO/UNITWIN Network on Gender, Culture, and People-Centered Development;
with Gloria Bonder on behalf of the Global Network of UNESCO Chairs on Gender


 League of Nations Pioneer

 Rachel Crowdy, circa 1932, University of Bristol, special collection, DM1584/1

Gathering at the African Training and Research Centre for Women, Ethiopia in the1970s
L to R: Marilyn Carr, Nellie Okello, Mary Tadesse, Brenda Gael McSweeney

 "One of my Regional Science and Technology Meetings while working at ATRCW. Note because of subject matter Governments sent men! Only women there were me and my young Ethiopian Assistant!" - Marilyn Carr

"Regional Meeting in Kathmandu co-organised by UNIFEM, IDRC (International Development and Research Centre) and WIEGO (Women in Informal Employment: Globalizing and Organizing). Nancy Spence from IDRC in centre. Ela Bhatt {Founder, Self-Employed Women's Association, India - pictured to her left}, Nepali Government dignitary {at far left}, myself {Marilyn at right}, and Marty Chen {of WIEGO at far right}"- Marilyn Carr